Об'єктив Tokina AT-X 16-28mm f / 2.8 (Canon) (ATX AF168FXC) - це об'єктив для повноформатних дзеркальних камер. Оптична конструкція витримує апертуру F2.8 на всьому діапазоні фокусної відстані. Використання асферических елементів і лінз з низькодисперсного скла.
Завдяки використанню асферичних лінз в передній і задній групі і 3-х елементів з низькодисперсного скла досягаються високі результати дозволу по краях зображення, запобігає падіння світла, коригуються дисторсии при широкому куті. Новий вбудований тихий моторний привід фокуса Silent Drive-Module. Скомпонований в один модуль мотор і нізкоступенчатий редуктор відрізняється низькими шумовими характеристиками. Високоточний фокусний магнітний сенсор. Міцний і статичний зовнішній дизайн.
Cегодня я расскажу про новый объектив от японской компании Tokina. Opera 16-28 F2.8 — это сверхширокоугольный зум предназначенный для полнокадровых зеркальных камер Canon и Nikon. Объектив получился крайне интересным, помимо сверхширокого угла обзора, он может похвастаться постоянной диафрагмой F2.8, которая доступна на всем диапазоне фокусных расстояний, а также защитой от пыли и влаги.
Вообще, данную модель можно считать обновлением довольно удачного сверхширика Tokina AT-X 16-28 PRO FX, вышедшего в далеком 2010 году. Как и предшественник, новинка выпускается для байонетов Nikon F и Canon EF, то есть, изначально она предназначена для полнокадровых зеркалок, однако я буду тестировать её на беззеркальной камере Nikon Z6, используя вот такой фирменный переходник.
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Распаковка Tokina AT-X PRO FX AF 16-28 mm f/2.8 (Canon)
Распаковка Tokina AT-X PRO FX AF 16-28 mm f/2.8 (Canon)
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Tokina 16-28mm:
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Tokina AT-X 16-28mm F/2.8 FX Full Frame lens introduction
This Tokina lens is the first in a new generation of full frame (FX) lenses designed for professional digital SLR cameras like the Canon EOS 5D Mark IV, EOS 1Dx, the Nikon D810 and D5. The 16-28 zoom range gives the professional photographer a super-wide angle of view to get close to subject for dramatic effect or to take in entire scenes. NEW Silent DC Motor with GMR sensor The 16-28 F2.8 uses a newly developed silent DC motor that allows the lens to focus faster and more quietly then previous generations. The DC motor coupled with a new GMR magnetic AF sensor work together to increase AF Speed. Aspherical and Super-low Dispersion glass elements A new, 56mm in diameter, large sizes aspherical glass element is incorporated into the front lens group, while there are 2 more aspherical elements in the rear group. 3 SD super-low dispersion glass elements are also incorporated throughout the optical design to reduce chromatic aberration, give maximum resolution, more even brightness and distortion correction. One-Touch Focus Clutch Tokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the camera to focus manually. There is no need to change the AF/MF switch on Nikon camera bodies* and there is no second AF/MF switch on the lens for Canon, everything is accomplished by the focus ring. Це відео автоматично взято із YouTube за назвою товару, можливий неправильний пошук.
Tokina AT X 16-28mm f/2.8 Pro FX Lens 4K Video Test (Tested with A7SII)
Tokina AT-X 16-28mm f/2.8 Pro FX Lens 4K Video Test
This is the Tokina AT-X 16-28mm f/2.8 Pro FX Lens 4K Video Test. This lens is made for full frame DSLR cameras. And I did the video test with my Sony A7SII with the Metabones EF to E mount Smart Adapter Mark IV. I never actually used a Tokina lens before. And this Pro Series 16-28mm surprised me. The 4K image looked very sharp even at the corners. I reckon its performs even better than my Canon EF 16-35mm f/ II USM (There is a new Mark III coming out from Canon by the way). High quality lens always has a drawback. And there is no exception for this 16-28mm lens too. This lens is quite heavy, its about 950g. (Canon one only 635g) Its a bit front heavy when using on Sony A7SII. I recommend using this lens for DSLR better. Also there is another problem when it comes to video. This lens doesn’t take filters. So I shot the whole video around sunset time to make sure I got the 1/50 shutter speed!! I mean if you are a photographer. You might not need to worry about that. But for video shooters, you might have to come up a plan such as getting a Matt box or something. But over all, it is a great lens. Very sharp indeed.
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DSI Pictures Entertainment
Filmed and edit by Steve Chan
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Tanio, szeroko, a czy dobrze? Test obiektywu Tokina AT-X 16-28 mm f/2.8 PRO FX
Uwielbiam obraz, jaki daje obiektyw szerokokątny. Kiedyś, gdy miałem aparaty z matrycą APS-C miałem do nich świetnego i leciutkiego Canona EF-S 10-18 mm (test: ) . Z wyborem obiektywu do pełnej klatki już tak lekko nie jest. Pierwsze moje szkło – Samyang 14 mm f/2.8 (test: ) – miał manualne nastawianie ostrości i muszę przyznać, że mnie to pokonało. Przez wizjer po prostu nie widać (ok., ja nie widzę) szczegółów, żeby dobrze ostrzyć. Do wyboru zostały mi Canon L 16-35 mm (bardzo drogi), Canon L 17-40 mm (dość tani ale ciemny) coś też od Tamrona i Sigmy – ale każdy z ceną na rynku wtórnym zdrowo powyżej 3000 PLN. Tyle nie chciałem wydać. Wtedy właśnie trafiłem na testy obiektywu #Tokina AT-X 16-28 mm PRO f/2.8 FX i jak popatrzyłem na ceny na OLX to wpadłem na pomysł, że to może być opcja dla mnie. Zapraszam zatem do obejrzenia filmu, gdzie pokazuję plusy i minusy tego szkła. Це відео автоматично взято із YouTube за назвою товару, можливий неправильний пошук.
Check out my website at - Southwest Florida Photographer
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FOR CANON
FOR NIKON
CONCLUSION: Time to draw some conclusions about the Tokina 16-28 f/2.8.
In a nutshell;
BUILD QUALITY: Really, really solid, made out of metal, it's weighty and really well put together. Build quality is the one area that Tokina rarely skimps on, and the 16-28 is no exception, for build we gave the 16-28 a 9.5/10
FOCUS SPEED AND ACCURACY: It's not fast, but for most wide angle shooters, it doesn't need to be, I wouldn't call it slow either. For most wide angle shooters, focus accuracy isn't a huge consideration as they're USUALLY shooting with the aperture stopped down to f/8 or f/9 and the depth of field is so wide that everything is in focus anyway. As a side note, I have shot a few portraits with this lens at f/2.8 and I find the focus accuracy perfect and the images are incredibly sharp. It's a really solid effort, the focus motor could be a little faster, but that's about it - we gave the focus speed and accuracy an 8.5/10
OPTICAL QUALITY AND QUALITY OF THE RESULTS: I get great images from the Tokina, I've seen sample images from the 16-35 and I can't see a discernible difference between them, certainly not enough to justify slightly more than double the price. Again, on the downside, the Tokina does exhibit an excessive amount of CA's in high contrast situations. For both optical quality and quality of the results we gave it a 9 for both.
VALUE: As I mentioned previously, it's an excellent value, especially when you consider the price of the competition - chromatic aberration aside, the lens has great optics, adequate and accurate focus, and great build.... The Tokina is easily a 10/10
OVERALL: The Tokina gets a 46/50 and easily earns the Highly Recommend rating!
THE FINAL WORD: If you can get passed the rather noticeable chromatic aberrations, then there's a lot to rave about the 16-28 f/2.8 from Tokina. The lens stands well enough on its own, but when you factor in the lens's price point, then the Tokina is a no brainer.
This is Darren Miles with Darren Miles Photography here in beautiful, sunny, Naples, FL, thanks for watching and until the next time, Happy Shooting! Це відео автоматично взято із YouTube за назвою товару, можливий неправильний пошук.
Includes focus tests, full crop images, weather test and ergonomics.
Today Matt Granger introduces the Tokina 16-28mm AT-X Pro f2.8 wide angle zoom, and puts it head to head with the famed Nikon 14-24mm f2.8.
I ran focus tests, found a focus error with the Tokina 16-28, did sharpness and image tests at wide and long ends of lens, at range of apertures.
I also inadvertantly gave the Tokina 16-28 a wet weather test, as I was caught in a shower! It was totally fine.
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Tokina 16-28mm f2.8 AT-X Pro - hands on introduction
Includes sample images and video.
Today Matt Granger introduces the Tokina 16-28 AT-X Pro F2.8 wide angle zoom. This monster is a direct competitor to the Nikon 14-24mm lens.
Matt unboxes it, shows some sample images, and sample video footage using the the lens.
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Tokina Opera 16-28mm - Photographing Acadia National Park
A quick example of just a few of the many images shot by Tokina USA ambassador Harry Collins
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Disclaimer
Disclaimer - video is for educational purpose only. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Це відео автоматично взято із YouTube за назвою товару, можливий неправильний пошук.
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Tokina:
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Ecco il Tokina compatibile con le full frame di Canon (EF) e Nikon (FX). Obiettivo molto interessante, versatile con una resa fotografica eccellente.
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NiSi 150mm Filter Holder For Tokina AT-X 16-28mm F/2.8 Pro FX Lens
NiSi 150mm filter holders are made from aviation-grade aluminum with single element processed by CNC machine with Matte black frosted finish on the surface. The screw accessory are all made of copper and with black nickel plating. It’s durable and will reduce the influence of stray light on the imaging. The NiSi 150mm Filter Holder For NiSi 150mm Filter Holder For Tokina AT-X 16-28mm f/2.8 Pro FX Lens is specially designed to be used with the Tokina AT-X 16-28mm f/2.8 Pro FX Lens.
Square and rectangular filter systems solve problems that round, screw-on filters often cannot resolve. To begin with, one square or rectangular filter can be used with many different size lenses. As long as you have the appropriate size adapter rings, in most cases, one filter will serve the purpose.
Another benefit is if you are shooting a landscape where the horizon line is off-center and you want to balance the light intensity in both parts of the scene, i.e. bright sky, shaded foreground . Rectangular filters allow the transition to be blended into the scene, often imperceptibly. This is because they can be shifted up and down in the filter holder to fit the scene as desired. Some graduated rectangular filters are available with soft or hard transitions from dark to clear.
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Tokina 16-28mm lens:
Sigma MC-11 adapter:
Sony A7III:
Here are some of my experiences using the Tokina 16-28 f/2.8 lens on my Sony A7III camera. The lens is Canon mount, so I've mounted it on my camera using the Sigma MC-11 adapter.
In general, I'm very happy with the lens/adapter combo. It focuses reasonably fast and accurately. The corners aren't as bad as I thought they would be. It's a heavy lens, but not heavy on the wallet compared to the native Sony wide angle zooms. Це відео автоматично взято із YouTube за назвою товару, можливий неправильний пошук.
A unboxing and review of the Tokina 16 - 28 mm F 2.8 Lens.
Some interesting revelations regarding a common issue they have right out of the box!
Watch as I show you video of this wide angle lens and a screen shot, comparing it to my Tamron 24-70 Lens that I regularly use!
The Tokina AT-X 16-28mm F2.8 Pro FX is a great lens, but not being aware of some common issues, could cause you some headaches and running back & forth from the store trying to sort it all out.
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This is our first review of the Tokina 16-28mm f/2.8 lens for Canon. We are using the lens in architecture photography in this review. The review steps through several points using hands-on test images. The lens is built like a tank and performs excellently overall. It's quality and images compete with lenses of higher-end manufacturers like Canon.
Canon 5D Mark III used to test the lens as well as film the video. Video by LakeKover Photography. Це відео автоматично взято із YouTube за назвою товару, можливий неправильний пошук.
This is my review of the Tokina 16-28mm f/2.8 ultrawide angle lens (Nikon mount). I give my thoughts and reasons for purchasing the lens. Це відео автоматично взято із YouTube за назвою товару, можливий неправильний пошук.
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A hands on review of Tokina AT-X 16-28mm f/2.8 Pro FX Lens for Nikon and Canon DSLRs. It's one of the sharpest lenses I own. It's probably faster than my prime lenses. The built is solid and optics are tack sharp even at big apertures like f/4. It's a great wide angle lens for crop sensor DX body like D5100 or D3200 and ultra wide angle for full frame FX sensor like D700 D800
You can use this for landscape (if you're not a hardcore landscape photographer) cityscape or wide angle night photography.
In future I will use my friend's Nikon 14-24 f/2.8 and do a comparison to see how Tokina stacks up against the Nikon one. Це відео автоматично взято із YouTube за назвою товару, можливий неправильний пошук.
Объектив Tokina AT-X PRO FX SD 70-200 f/4 VCM-S. Видео тест
installation instruction of 150mm system holder for Tokina 16-28mm Це відео автоматично взято із YouTube за назвою товару, можливий неправильний пошук.
Не пропусти ДЕНЬ ОТКРЫТЫХ ДВЕРЕЙ в нашей киношколе: |
Подробный обзор Tokina AT-X PRO AF 28-70mm 1: (Tokina AT-X 270 AF PRO):
Сегодня мы поговорим об одной самой популярной и постоянно важной теме, об объективе. Одно дело выбрать правильную камеру, но важно еще подобрать к камере классное универсальное стекло, с которым ты сможешь снимать и художку и предметку и всё, что душе будет угодно. Ну и конечно всегда хочется, чтобы это не стоило космических денег.
Поэтому Сегодня Влад Сабатовский расскажет тебе про уникальную линзу Tokina AT-X PRO, которая стоит наравне с киношной оптикой Angenieux.
Поговорим о плюсах и минусах, технических параметрах, фокусном расстоянии, диафрагме, диаметре под светофильтр, о степени резкости.
В общем, после просмотра у вас не останется шансов не влюбиться в этот объектив.
00:00 - Что за Tokina?
00:54 - Связь с Angenieux
02:04 - Открываем наши двери
02:54 - Плюсы
05:13 - Минусы
06:51 - Итоги
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[Upgrade lens housing] Tokina AT-X pro 16-28mm f/2.8_Ver.02
In my opinion, Tokina AT-X pro 16-28mm f/2.8 lens has a good optical performance and a good price-performance ratio. However, I am not satisfied with the weight of about 1 kg, the front hood shape that makes it difficult to use filters, Tokina's unique toggle-type focus automatic/manual switching method, and the AF noise. Although it was upgraded to the Opera version a few years ago, it seems that there is no significant difference except for some changes in the appearance (the shape of the rubber grip on the control unit).
The lens is designed for DSLR FF cameras, and its usability and competitiveness are not as good as they used to be, as more and more lenses that are customized for digital mirrorless cameras with a shorter flange back distance have appeared.
I tried to modify/upgrade the lens for video shooting, (including the noise of the autofocus, the short rotation radius of the manual focus operation, and the hood shape that is not suitable for using ND filters) In the previous , I completely redesigned the overall design and the fixing method of the housing by improving the parts that were lacking.
I prefer the non-destructive method of attaching it to the outside while keeping the original housing and parts of the lens. However, the front hood had to be disassembled and removed. Due to the protruding spherical glass in the front, the outer diameter had to be designed to 114mm to prevent vignetting at the ultra-wide angle (16mm) while maintaining the front housing shape to protect it. It is a lens with many restrictions for housing upgrades. I recommend a matte box and a square filter with a size of for mounting filters (that does not cause vignetting at a focal length of 16mm)
The lens in the video is a Nikon F mount (D type) lens, and the EF mount lens is also of almost the same design except for the mount part and the lower part of the lens, so I think it can be installed.
Required parts other than 3D printer output
- 3_M3 x 8mm bolts (flat head)
- Rubber follow focus gear ring (optional)
- 95mm snap-on lens cap
- Superglue
The file sharing is for sharing ideas. Use it only for personal use. Commercial use is not allowed. Download the STL file from the link below.
제 생각에는 Tokina AT-X pro 16-28mm f/2.8 렌즈는 광학 성능이 좋고 가격 대비 성능이 좋습니다. 하지만 1kg 정도의 무게와 필터 사용이 어려운 전면 후드 형태, 토키나 특유의 토글식 초점 자동/수동 전환 방식, AF 노이즈 등은 만족스럽지 못하다. 몇 년 전 오페라 버전으로 업그레이드됐지만 외관상 약간의 변화(컨트롤 유닛의 고무 그립 모양)를 제외하면 큰 차이는 없어 보인다.
이 렌즈는 DSLR FF 카메라용으로 설계되었으며, 점점 플랜지백 거리가 짧아진 디지털 미러리스 카메라에 특화된 렌즈가 등장하면서 사용성과 경쟁력이 예전만큼 좋지 못하다.
(오토포커스의 노이즈, 수동포커스의 짧은 회전반경, ND필터 사용에 부적합한 후드 형상 등) 동영상 촬영용 렌즈를 수정/업그레이드 해보았습니다.
원래 하우징과 렌즈 부품을 그대로 유지하면서 외부에 부착하는 비파괴 방식을 선호합니다. 그러나 전면 후드를 분해하여 제거해야 했습니다. 전면에 돌출된 구형 유리로 인해 초광각(16mm)에서 비네팅을 방지하기 위해 외경을 114mm로 설계해야 했고, 이를 보호하기 위해 전면 하우징 형태를 유지했다. 하우징 업그레이드에 제약이 많은 렌즈입니다. 16mm의 초점 거리에서 비네팅이 발생하지 않게 필터를 장착하려면 매트박스와 크기의 사각형 필터를 권장합니다.
영상 속 렌즈는 니콘 F마운트(D타입) 렌즈이며, EF마운트 렌즈도 마운트 부분과 렌즈 하부를 제외하면 거의 동일한 디자인이라 장착이 가능할 것 같습니다.
3D 프린팅 부품 외에 필요한 부품
- M3 x 8mm 볼트(플랫 헤드) - 3개
- 고무 팔로우 포커스 기어 링(옵션)
- 95mm 스냅 온 렌즈 캡
- 순간접착제
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Tokina 16-28mm F/2.8 AT-X Pro For Filmmakers In 2019. Is this hidden filmmaking gem, the best value pro lens for video?
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[Hindi] KameraMan: Tokina AT-X 16-28mm F/2.8 Pro FX Zoom Lens Unboxing India
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For the professional, a 16-28mm f/2.8 lens is almost a necessity, and this new AT-X 16-28mm F2.8 Pro FX Lens for Nikon from Tokina fills the bill very nicely. Designed specifically for Nikon pro level DSLRs with a full frame (FX) sensor (such as the Nikon D700 and D3x), this super wide-angle zoom has 15 elements in 13 groups, using aspherical and SD super-low dispersion glass elements to reduce chromatic aberration and give maximum resolution. The silent DC motor allows the lens to focus quickly and quietly and works with a GMR magnetic AF sensor to increase AF speed even more.
An exclusive One-Touch Focus Clutch mechanism allows switching quickly between auto focus and manual focus by snapping the focus ring forward for AF and back toward the camera for manual focus. And, it's possible to buy this lens without applying for a mortgage first.
पेशेवर के लिए, एक 16-28 मिमी एफ / 2.8 लेंस लगभग एक आवश्यकता है, और यह नया एटी-एक्स 16-28 मिमी एफ 2.8 टोक्यो से निकॉन के लिए प्रो एफएक्स लेंस बिल को बहुत अच्छी तरह से भरता है। विशेष रूप से पूर्ण फ्रेम (एफएक्स) संवेदक (जैसे कि Nikon D700 और D3x) के साथ Nikon प्रो लेवल DSLRs के लिए डिज़ाइन किया गया, इस सुपर वाइड-एंगल ज़ूम में 13 समूहों में 15 तत्व हैं, एफ़िकल और एसडी सुपर-कम फैलाव ग्लास तत्वों को कम करने के लिए रंगीन विपथन और अधिकतम संकल्प दे। चुप डीसी मोटर लेंस को जल्दी और चुपचाप पर ध्यान देने की सुविधा देता है और एएम स्पीड को बढ़ाने के लिए जीएमआर चुंबकीय एफ़ सेंसर के साथ काम करता है।
एक अनन्य वन-टच फोकस क्लच तंत्र एएफ के लिए फोकस रिंग को ताने और मैनुअल फ़ोकस के लिए कैमरे की तरफ वापस खींचकर ऑटो फ़ोकस और मैनुअल फोकस के बीच जल्दी स्विच करने की अनुमति देता है। और, इस लेंस को किसी बंधक के लिए पहले आवेदन किए बिना खरीदना संभव है।
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A cost-effective ultra-wide zoom lens for Canon and Nikon full-frame cameras - let's see how it performs
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Here are my thoughts on the Tokina 16-28 F2.8 for video, enjoy and click that sub button! Cheers :)
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Tokina 11-16mm vs 16-28mm - f2.8 wide angle zoom comparison
Includes 16mm comparison, sharpness tests and 100% crops.
Today ThatNikonGuy (Matt Granger) tests out both of these great wide angle zoom lenses, on a D5100 DX camera. Photos and video samples are included.
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Winner: Worst single wide-zoom is? Tokina 16-28mm f/2.8
Winner: Worst single wide-zoom is? Tokina 16-28mm f/2.8
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Canon R6 Pro Budget Lenses | Portrait Shoot | Tokina Opera 50mm f1.4 & Tokina Opera 16-28mm F2.8
Just wanted to share a chill photoshoot using Pro Budget (cheap compared to RF line) lenses by Tokina. Tokina is a third party lens manufacturer that created two beautiful lenses for the Canon EF system, the Tokina 16-28mm F2.8 and the Tokina 50mm F1.4. When you compare the cost to a canon rf equivalent, it is $2000 vs $6000. How can you even compare.
Even though it cost less, I still think the images coming out of it are amazing. I am not a pixel peeper, I do not check sharpness, or tech details. I like checking rendering, micro-contrast and the mood that the photo brings you.
Anyway, hope you enjoy the video, and don't be afraid to use these lenses, because I like them a lot!
Gear used in this video below:
Vlog setup:
Camera : Sony A7c
Lense: Sony G 20mm F1.8
Mic: Sennheiser MKE 400
Shooting Portrait Set up:
Camera: Canon R6
Lens: Tokina 16-28mm f2.8
Lens: Tokina 50mm f1.4
Flash: Godox Ad200 Pro
Model: Jabelle
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FIELD TEST TOKINA OPERA 16-28mm F2.8 FF by พี่โก๊ะ กล้องกล้วยกล้วย
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Tokina (トキナー) AT-X 16-28mm F2.8 PRO FX(キヤノンEF用) 良品
wow this lens is sooo amazing!! besides the loud autofocus, i absolutely love the focal length. i might swap it out for the newer version of this lens if i find out it has quieter focusing after i do some research. check in to tomorrow video and I'll let you know what i find.
if any of you have the newer " opera" version of this lens please let me know in the comments if it's better in the noise department.
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Tokina 16-28mm f/2.8 Ultra-Wide Angle Lens Unboxing | Nikon Mount
Hello,
Today I am going to be unboxing the Tokina 16-28mm Ultra-Wide Angle lens that come in either a Nikon or Canon mount. This lens offers a 107º Degree field of view that goes all the way to 76º Degree's at 28mm, mind you this is on a Full-Frame camera. A cropped sensor APS-C or APS-H camera will offer a different degree of view. With a maximum aperture of f/2.8 this lens allows you to shoot in very low light conditions keeping your shutter speed high or ISO low. This results in clearer, sharper images from any camera.
Consisted of 15 Elements in 13 groups, edge-to-edge sharpness is very well controlled as well as vignetting wide open and excellent CA handling. Optically what you are getting is a Nikkor 14-24mm f2.8 for half the price. What a deal! This lens is every bit as sharp as the Nikkor counter-part and even SHARPER in some instances. Feel free to look up these claims on DxOMark.
Unlike the Nikkor 16-35mm f/4 with it's VR (Vibration Reduction) this lens allows a full stop or more or light into the lens because it is an f/2.8. This can come into handy when that extra little bit of light is needed, especially when shooting video which only allows a 1/25 Shutter Speed or higher.
The Tokina is built like a tank, weighing in at or 950g, this lens is no light-weight. It's meant to be a serious wide-angle lens and you can be assured it is exactly that. One draw-back of this lens is the exposed front-element and also most-importantly the inability to except filters of ANY KIND. This can be a serious no-go for some, but personally I have not yet ventured into the land of filters and especially now, I don't plan to for a while.
If you would like to see just how tack sharp this lens is, please, take the time and look up the countless reviews online showing you the awesome performance of this lens. It is really a solid contender, especially if you take into consideration the price.
Currently as of March 22, 2012 B&H Photo has a $ Rebate that will be into affect until March 31st, 2012 so act quick!
Important note: This lens WILL focus on camera such as the Nikon D3100,D5100,D5000,D60,D3000 and so. This is a huge plus!
Thanks for taking the time to watch my unboxing.
Have a wonderful day,
Mitchell Це відео автоматично взято із YouTube за назвою товару, можливий неправильний пошук.
Tokina AT-X PRO 16-28mm f/2.8, TEST about Focus breathing & Parfocal Zoom / 테스트-포커스 브리딩 & 파포컬 줌 렌즈
I think "Tokina AT-X Pro 16-28mm f/2.8" is a wide-angle zoom lens with excellent optical performance and a great value for money. It is a lens for still cameras, but with almost the same specifications and optical design, there are "Vistar 16-28mm T3 & T2.9" lenses, so I expected it to go well with a wide-angle zoom lens for video shooting.
So, I briefly tested focus breathing and parfocal zoom. This is only for observing subtle changes due to focusing, and was taken with a Sony digital mirrorless camera (A7R2, Picture profile_CINE4+Ninja V-Prores HQ), and no color correction process was performed at all. it is not suitable as a data for evaluating other performance of the lens.
Tokina 16-28mm f/2.8 Specifications
Mount Type: Nikon F (also available for the Canon EF mount)
Focal Length Range: 16-28mm
Maximum Aperture: f/2.8
Minimum Aperture: f/22
Angle of View (FX-format): – °
Lens (Elements): 15
Lens (Groups): 13
Compatible Format(s): FX, DX
Diaphragm Blades: 9
SD Glass Elements: 3
Aspherical Elements: 3
Autofocus: Yes
Minimum Focus Distance:
Focus Mode: AF/MF
Filter Size: N/A
Length:
Diameter:
Weight (Approx.): 950 g
Tokina AT-X Pro 16-28mm f / 2.8은 뛰어난 광학 성능과 가격 대비 가치가 뛰어난 광각 줌 렌즈라고 생각합니다. 스틸 카메라 용 렌즈이지만 거의 동일한 사양과 광학 디자인으로 Vistar 16-28mm T3 & T2.9 렌즈가있어서 동영상 촬영용 광각 줌 렌즈와 잘 어울릴 것으로 기대했습니다.
그래서 저는 초점 호흡과 동 초점 줌을 간단히 테스트했습니다. 초점으로 인한 미묘한 변화를 관찰하기위한 것으로, 소니 디지털 미러리스 카메라 (A7R2, Picture profile_CINE4 +닌자 V prores HQ)로 촬영했으며 색 보정 프로세스는 전혀 수행하지 않았습니다. 렌즈의 다른 성능을 평가하기위한 자료로는 적합하지 않습니다.
Tokina 16-28mm f / 2.8 스펙
마운트 유형 : Nikon F (Canon EF 마운트에도 사용 가능)
초점 거리 범위 : 16-28mm
최대 조리개 : f / 2.8
최소 조리개 : f / 22
화각 (FX 형식) : – °
렌즈 (요소) : 15
렌즈 (그룹) : 13
호환 가능한 형식 : FX, DX
다이어프램 블레이드 : 9
SD 유리 요소 : 3
비구면 요소 : 3
자동 초점 : 예
최소 초점 거리 :
초점 모드 : AF / MF
필터 크기 : N / A
길이 :
직경 :
무게 (근사치) : 950g
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#Focusbreathing
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Tokina Opera 16-28mm F2.8 FF Review
Today Tokina released their updated version the 16-28mm Lens. With their Opera line it did change the look of the lens as well as pretty much everything inside the lens. The feel of it is very similar as far as heft, controls and placement and I could definitely see a huge difference in real life use. Check out the video and let me know if you guys have any questions
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In this video I take a look at Canon’s 16-35 mm F4 IS lens, absolutely one of the most important lenses in my kit as it’s the focal range I use to film the main angle for these videos. Is it any good and how does it compare to the Tokina 16-28?
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My first unboxing video. Please pardon my lack of enthusiasm and lack of story telling. I was impatient to go try it out. It is really a great lens. Це відео автоматично взято із YouTube за назвою товару, можливий неправильний пошук.
Ширик - необходимый инструмент или всего лишь развлечение?
Это обзор объектива Tokina 11-16mm f/2.8 и сегодня я расскажу свою точку зрения по этому вопросу.
Tokina 11-16 - широкоугольный объектив для Canon (в моем случае canon ef), который я использую на системе Micro 4/3 c камерой Panasonic. Tokina 2.8 - 'это глубина резкости, которую не даст GoPro )
Обзор объектива включает в себя:
- примеры видео, снятые на Tokina 11 16 2.8
- условия, для которых лучше всего подходит широкоугольный объектив
- недостатки (они же особенности), которые имеет широкоугольный объектив
- нужен ли вам ширик?
- можно ли обойтись стандартным широкоугольным объективом 24мм ЭФР?
На всякий случай, определимся с понятиями, что такое "широкоугольный объектив", "сверхширокоугольный объектив" (сверхширик) и т.д. Все, что меньше 35мм ЭФР (эффективное фокусное расстояние) - уже широкоугольный объектив.
Итак:
- 35мм ЭФР - умеренный ширик;
- 24мм ЭФР - ширик (обычный широкий угол, wide angle lens));
- 14-16мм ЭФР - СВЕРХширик (сверхширокоугольный объектив, ultra wide angle lens (их как правило называют "шириками" в телефонах))
- 10мм ЭФР - тоже сверхширик, как правило это уже с сильной дисторсией, как на GoPro.
Но в рамках данного обзора я буду называть Tokina 11-16 просто "ширик".
На самом деле, если вы ищете широкоугольный объектив для Canon или ширик для Сони, то Tokina 11 16 2.8 будет отличным выбором. Также как и на микру для Panasonic gh5 или Olympus. Спидбустер Viltrox в помощь)
В случае с Сони - цена на Sony 10-18 будут гораздо выше (и к тому же темнее), чем связка с Tokina 2.8 и переходником Sigma MC-11. Правда про Автофокус можно забыть, но бесконечность на ширике начинается уже с 2х метров! Другое дело, что снимать селфи без АФ уже не комильфо, смотрите обзор объектива - я покажу такой сценарий использования на Panasonic g80 (g85) со спидбустером Viltrox ef-m2 - фокус только руками, либо авто, но выставлять перед нажатием REC и не менять дистанцию фокусировки.
Короче, мне есть много чего рассказать про Tokina 11-16 2.8 и про ширики tokina lens в частности, всего в видео не уложишь, но все таки. ЧТО НЕ ВОШЛО в обзор объектива:
1) Tokina 11-16mm f/2.8 можно использовать С ПОЛНЫМ КАДРОМ - на 16мм будет слабая виньетка, и диафрагма 2.8, очень не плохо) И даже 14мм, но с сильной виньеткой.
2) Кольцо фокуса tokina cinema удобно для ручного фокуса, хоть и focus by wire. Все потому что оно большое и широкое. НО! Из-за этого его можно спутать с кольцом зума), а главное, механизм переключения все-таки не супер удобен, когда надо быстро переключить может подклинивать и снижает пылевлагозащиту. Бленда с бархоткой, приятная.
3) Фотография на широкоугольный объектив это реальная возможность создать "сказку" в привычных сюжетах, но нужно правильно расставлять акценты и выбирать расстояние до модели.
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Если вы ищете широкоугольный объектив для съемки, но все еще сомневаетесь в необходимости его покупки - это видео для вас).
Остались вопросы, или нужна помощь в выборе камеры или объектива? Пишите в комментарии! Це відео автоматично взято із YouTube за назвою товару, можливий неправильний пошук.
Tokina (トキナー) AT-X 16-28mm F2.8 PRO FX(ニコンF用)
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【外観】僅かなスレ箇所がありますが、全体的に丁寧に使用され良好な状態です。
【機能面・操作】動作は良好です、安心してお使い頂けます。 Це відео автоматично взято із YouTube за назвою товару, можливий неправильний пошук.
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