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TONE PORT UX-1 (SOLDANO SIMULATION) CUBASE 5
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Обзор китайской цифровой линейки длиной 300мм с заявленной точностью 10 мкм. Ресурсы Gexagen Studio: #линейка #измерения #точность #микроконтроллер #дисплей #pcb #uart #usb #dro #батарейка #digitallinearscale #digitalscale #aliexpress #tool #workshop #msp430 #texasinstruments #lcd #measurement
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DAILY 9 TONE SCALE | [80 BPM] for beginners SCALES improves singing pitch memory which is essential to any singer's ear training. SCALES are a great way to work the full length of the vocal chords, gradually increasing the chord flexibility to safely stretch and condition the chord to hold higher amounts of exertion on the vocal chord to sing higher notes. The higher you sing the stronger your low notes need to be to anchor your voice. SCALES should always start on a pitch that is closest to your comfortable speaking voice and gradually raise the scale each note will be higher than the last. Benefits of learning SCALES: - improves ear training - strengthening and resistance training for the vocal chords. - increased flexibility for vocal chords. - vocal muscle growth. - improves our rhythm and quick breaths. -strengthen diaphragm muscles for correct breathing support. Keep practicing SCALES for a great singing! GrooVocals
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В прошлом году на поле мы уже оценивали работу осеннего применения препарата ЛИНТУР® - Насколько чистым выглядит поле весной? - Регистрируйтесь на посещение наших демонстрационных площадок, чтобы увидеть все своими глазами!
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This video is about HT: Long Tone 1a
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Learn to transpose the combination of half and whole steps for the five-tone scale to start on any pitch on the keyboard
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This video introduces the concept of whole tone scales and presents examples of its appearance in works by Mozart, Debussy, Kraftwerk, and Bartók. As you watch this interactive video, please refer to the "Modes & Other Scales in Context".pdf or use a piece of staff paper to write each scale.
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این گام احتمالا یک اختراع قدیمی ایرانی از قرن دوم هجری به نام زرافکند است با یک هارمونی جالب. (نگا: ویکی)؛ دو- ر- می بمل - فا- فا دیز- سل دیز- لا- سی - دو . اکتاو به هشت فاصله پرده و نیم پرده تقسیم شده و در اثار روسی قرن ۱۹ رایج است. فاصله کوک سیمهای ساز من همه ۱.۵ پرده نسبت به هم است یعنی : دو بم، می بمل، فا دیز، لا. البته من در اینجا نیم پرده پایین تر هستم. ؛ C D Eb F Gb G# A B C The four strings are tuned 1.5 tones apart as in C Eb F# A starting from the bass. Here, I have dropped half tone below the C tuning. WIKI: Whole tone- half tone scale aka octatonic/diminished/semitone-tone/tone-semitone C D Eb F F# G# A B C performed here half tone lower in the key of B instead of C. Properties The twelve tones of the chromatic scale partition into three non-overlapping diminished seventh chords. A combination of any two, omitting the third, forms an octatonic collection. As there are three diminished-seventh chords that can be omitted, it follows that there are only three distinct diminished scales in the 12-tone system. Thus Olivier Messiaen considered it one of the modes of limited transposition, specifically, the second mode. A given diminished scale has only two modes: one beginning its ascent with a whole step between its first two notes, while the other begins its ascent with a half step or semitone. Each of the three distinct scales can form differently named scales with the same sequence of tones by starting at a different point in the scale. With alternative starting points listed in parentheses, the three are: E♭ diminished (F♯/G♭, A, C diminished): E♭, F, F♯, G♯, A, B, C, D, E♭ D diminished (F, A♭, B diminished): D, E, F, G, A♭, B♭, B, C♯, D D♭ diminished (E, G, B♭ diminished): D♭, E♭, E, F♯, G, A, B♭, C, D♭ Diminished scales on E♭, D, and D♭, ascending. It may also be represented as 0134679t or labeled as set class 8-28 (Schuijer 2008, p. 109). Among the collection's remarkable features is that it is the only collection that can be disassembled into four transpositionally-related pitch pairs in six different ways, each of which features a different interval class (Cohn). For example: semitone: (C, C♯), (D♯, E) (F♯, G), (A, B♭) whole step: (C♯, D♯), (E, F♯), (G, A), (B♭, C) minor third:(C, E♭), (F♯, A), (C♯, E), (G, B♭) major third:(C, E), (F♯, B♭), (E♭, G), (A, C♯) perfect fourth: (C♯, F♯), (B♭, E♭), (G, C), (E, A) tritone: (C, F♯), (E♭, A), (C♯, G), (E, B♭) Another remarkable feature of the diminished scale is that it contains first four notes of four minor scales separated by minor thirds. For Example: C, D, E♭, F and (enharmonically) F♯, G♯, A, B. Also E♭, F, G♭, A♭, and A, B, C, D. The scale, "allows familiar harmonic and linear configurations such as triads and modal tetrachords to be juxtaposed unusually but within a rational framework" though the relation of the diatonic scale to the melodic and harmonic surface is thus generally oblique (Pople 1991, 2). History Joseph Schillinger suggests that the scale was formulated already by Persian traditional music in the 7th century AD, where it was called "Zar ef Kend", meaning "string of pearls", the idea being that the two different sizes of intervals were like two different sizes of pearls (see Joseph Schillinger, The Schillinger System of Musical Composition, Vol 1). Octatonic scales first occurred in Western music as byproducts of a series of minor-third transpositions. Agmon locates one in the music of Scarlatti, from the 1730s. Langlé's 1797 harmony treatise contains a sequential progression with a descending octatonic bass, supporting harmonies that use all and only the notes of an octatonic scale (p. 72, ex. 25.2).
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Korg Pa3x save quarter tone scales and change screen`s colors bySAMER JAZRAWY
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Advanced Tone Scale exercise. Similar to the original Tone Scale exercise except each note grouping begins with the root of the scale.
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Swedish guitar phenomenon and regular Musicians Institute guest faculty member Andreas Oberg shares a clever way to use the whole tone scale over minor chords (as opposed to using in over dominant-seventh chords, which is the scale's typical application). Filmed by Jude Gold. Musicians Institute, in Hollywood, California, offers a comprehensive, hands-on education in contemporary music performance, recording, guitar making, music business and film. If you're serious about your music, your education, and your career, take a look around the site to see what MI has to offer, then contact us for more information about how we can help you reach your goals. admissions@ (800) 255-7529 (US/Canada) (323) 462-1384 (International/Direct) ----------------------- Follow Musicians Institute Online: YouTube Channel: Facebook: Twitter: Instagram:
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The Whole Tone Scale is exactly what its name says- every note is a whole step higher (or lower) than the previous note. Because of this, the scale has only seven notes instead of the eight note scales we’re used to. Also, since all notes are equal-distant from their adjacent notes, there are really only two whole note scales. (Try it! We’ll still run through all twelve though...) To keep things streamlined, we will only use sharp and natural note names. Use your knowledge of enharmonics to figure out the flat scales!
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Intro and exercises from Ch. 21, Section 3, involving Symmetrical Collections, switching between the two Whole Tone Scales.
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Continuation of previous video
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Instructional video explaining how to construct major and minor scales using patterns of whole tones and semitones between each pitch of the scale.
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Piano complementario II #belabartok
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Eb Major & Minor Scales Extra • Whole tone Scale; HT; 4 oct.; staccato /legato; @ 88 • Eb/C Chromatic Scale Major 6th apart; HT; 4 oct.; staccato /legato; @ 60 • Major Scale in 3rds ; HS; 2 oct.; legato; @ 52 HS = hands separately HT = hands together @ = speed
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This is the basics of the music theory. Knowing your Half and Whole tones will help you in learning scales, intervals and chords.
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The Whole Tone Scale is exactly what its name says- every note is a whole step higher (or lower) than the previous note. Because of this, the scale has only seven notes instead of the eight note scales we’re used to. Also, since all notes are equal-distant from their adjacent notes, there are really only two whole note scales. (Try it! We’ll still run through all twelve though...) To keep things streamlined, we will only use sharp and natural note names. Use your knowledge of enharmonics to figure out the flat scales!
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The Whole Tone Scale is exactly what its name says- every note is a whole step higher (or lower) than the previous note. Because of this, the scale has only seven notes instead of the eight note scales we’re used to. Also, since all notes are equal-distant from their adjacent notes, there are really only two whole note scales. (Try it! We’ll still run through all twelve though...) To keep things streamlined, we will only use sharp and natural note names. Use your knowledge of enharmonics to figure out the flat scales!
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An easy-to-understand tutorial to help you understand the difference between notes, semitones and tones. I also go through the chromatic, major and natural minor scales.
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This is the Forty Fourth in several episodes discussing the things i've learned from Barry Harris I started studying with Barry in 1993 and still learn from his teaching every day. I hope I can use this channel to help other musicians who are interested in Jazz but find it a little too cerebral. I think Barry's method, while being cerebral, is also direct and most important beautiful. Please Subscribe and feel free to comment below on how I can improve this channel I'm available for skype lessons if you prefer. Email me at chrisparksjazz22@
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Most Ancient form of Greek Scales with 7 Tones and Octave. Taken from Hermann Helmholtz's "On the Sensation of Tone". A is set to 440 Hz. The lowest note , or "0/zero", of each scale is A 220Hz. Before each scale the number of cents above A 220 for each scale tone is shown. Note: scale names do not coincide with modern nomenclature. Links to each scale below... 00:14 Lydian 00:59 Phrygian 01:53 Doric 02:48 Hypolydian 03:53 Hypophrygian (Ionic) 04:47 Hypodoric (Eolic) 05:40 Mixolydian The scales are constructed using some of the tetrachords shown in my earlier video: Old Greek tetrachords -
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The B Flat (Bb) Whole Tone Scale in Jazz Music. Part of the series: Basic Jazz Music Theory: Scales in B Flat (Bb). Learn how to play whole tone musical scales in the root of B flat (Bb) in this free music video on basic jazz music theory and B flat (Bb) scales.
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The E Whole Tone Scale in Jazz Music. Part of the series: Basic Jazz Music Theory: Scales in E. Learn how to play whole tone musical scales in the root of E in this free music video on basic jazz music theory and E scales.
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Hi Arash! This is a brief video about the scales( 2 octaves for each).
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#pianopracticejournal
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ZB Piano Test
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In this video, I show how I form what I call an Eight-Tone Scale, a scale formed by combining two of my Scale Phrases. It would take forever to demonstrate ALL of the commonly used scales, so I have chosen to show you only two scales. If you are really interested in this system, you can refer to my book. All in all, though, this video might very well be my last "non-accordion" video. Granted, next year is the Year of the Rat, the year in which I always get a profound idea, but there is no guarantee that I'll get any more new ideas. I might have gone to the well just one too many times. Who knows? Thanks for watching, cyber friends. I hope that, over my many videos, I made a contribution, even if only a slight one.
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In this video we talk about scales! Hopefully, you'll be able to use this video to make your own scale strips for your children to use for composition. You can feel free to pause the video anytime to note down the whole and half step configuration for the different scales. If you don't have time for all that, here's a breakdown of the scales we cover and their whole and half step patterns: Major Scale - WWHWWWH Whole-Tone Scale - all whole steps Chromatic Scale - all half steps Dorian Scale - WHWWWHW Phrygian Scale - HWWWHWW Lydian Scale - WWWHWWH Mixolydian Scale - WWHWWHW Aeolian (Natural Minor) Scale - WHWWHWW Melodic Minor Scale - WHWWWWH Harmonic Minor Scale - WHWWH W+H H Locrian Scale - HWWHWWW Pentatonic Scale - WW W+H W Halloween Scale - H W+H H W Of course, if you have any questions, feel free to contact me at michael@ If you enjoyed the video, don't forget to leave a like, subscribe, and ring my bell. You can get the book here: =sr_1_1?dchild=1&keywords=making+music+in+montessori&qid=1613380224&sr=8-1 or here: And, you can check out the website to read the blog or book a workshop or webinar. Thanks so much for watching. See you in the next one! Truly, Michael
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Scales with Root Gb: Whole Tone. Part of the series: Basic Jazz Music Theory: Scales in Gb. Learn how to play different scales and modes in the key of Gb in this free video on jazz music theory and the whole tone scale.
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Should be 99ish Will help scales, notes, chords, etc. Whole Tone Useful For Altered Chords Half Step Whole Step Whole Step Half Step
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5 Tone Scale - Lowest Note A3, Highest Note G#4 Website: Don't forget to subscribe to see my latest content which will include new scales.
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The video version of the article. Four examples with music are given at '
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Here’s a very logical extremely easy and incredibly useful idea over a whole tone scale. It can be used in almost every song, and is also a great technique builder to help you gain comfort with any combination of white and black keys under the hands. Thanks for watching and if you find this stuff useful please make sure to like, subscribe, and share, and also please consider supporting me on Patreon: Patrons have access to exclusive features like transcripts, Q&A’s and more. Here are videos to assist with the concepts discussed in this video: The BH “Echappe”: An extremely useful Barry Harris 2-5-1 move Practicing 2-5-1- Barry Harris Style My 10 Chord Routine - 3 note edition Barry Harris sixth-chord rules: And here are some other related videos you may enjoy: 5-4-3-2 melodic patterns Pivoting My 10 chord routine: Barry’s Move on “Like Someone in Love” More ideas on Half Step embellishment Applying Barry Harris “diminished family“ Barry’s “diminished genealogy” “Drop” Voicings The “Major chromatic” The “Ruby my dear“ move Modulation with diminished “Short and long“ voicings “Up a fifth, down a fifth“: Thoughts on the Seven flat five diminished Scale outline on “Cherokee”
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This video is intended to help trumpet players (or players of any B-flat instrument) learn to play the C and B whole tone scales from memory.
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In this lesson excerpt, Greg Koch shows you two ways to approach the IV chord in a blues using the whole tone scale. For his complete "Whole Tone-ing" lesson, visit:
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***For lots more good stuff on piano playing come on over to my website. It can be found at and sign up for the free newsletter on "Exciting Piano Chords & Sizzling Chord Progressions!" You'll learn piano chords galore and how to apply them when you play piano. Chords are the "missing link" in most piano lessons and you can learn them all easily. Learn piano playing and music theory at the same time - it will make your progress faster and you will understand music like you never have before. For a look at our online catalog of 200+ piano courses, please go to If you play the piano to some degree and can read simple music to some degree, you are invited to join my "Inner Circle". It's not for pure beginners and it's not for advanced piano players, but for the 90% who are somewhere in the middle. Please come over to and watch the 2-minute video to see if it would be helpful to you. Scales Galore! Major, Minor, Chromatic, Whole Tone & Pentatonic Scales
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a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone. In twelve-tone equal temperament, there are only two complementary whole-tone scales Music education
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Whole Tone Scale Patterns (positions) - Guitar FREE Guitar Scales eGuide What you’ll find in the Guitar Scale Patterns eGuide: * Scale patterns and fingerings for the most common and useful scales * Scale included * Major Scale * 7 Patterns with 2/3 notes per string * 7 Patterns with 3 notes per string * Major Pentatonic Scale * Major Blues Scale * Minor Pentatonic Scale * Minor Blues Scale * Melodic Minor Scale * Harmonic Minor Scale * Coming soon: * Major Scale 5 Patterns with 2/3 notes per string (CAGED version) * Half-Whole Diminished Scale * Whole Tone Scale *You will be emailed an updated copy anytime a new scale is added In this lesson I’ll show you two ways to play the Whole Tone Scale up and down the fretboard. The first is a pattern that stays in position and can be repeated on every note of the scale. The second is a horizontal pattern that uses 3 notes per string. Be sure to download the eGuide for help with fingerings. For more Guitar Scale lessons click here Be sure to subscribe to our channel because we’ll be adding at least one new free guitar lesson per day! To learn more about Move Forward Guitar check us out at: Connect with us +Moveforwardguitar
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I played my dom7 scales in a whole tone pattern
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The Whole Tone Scale is exactly what its name says- every note is a whole step higher (or lower) than the previous note. Because of this, the scale has only seven notes instead of the eight note scales we’re used to. Also, since all notes are equal-distant from their adjacent notes, there are really only two whole note scales. (Try it! We’ll still run through all twelve though...) To keep things streamlined, we will only use sharp and natural note names. Use your knowledge of enharmonics to figure out the flat scales!
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Relearning to play guitar, Beethoven, scale ideas, the big B’s
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This video teaches you how to play the whole tone scale. This scale can be used for improvisational purposes.
Це відео автоматично взято із YouTube за назвою товару, можливий неправильний пошук.